National TECH 21 GT2 Pedal

CALIFORNIA Hear the Sample  MP3 format – 245k Guitar used: Yamaha Pacifica 112 on bridge pickup (humbucking). Bass: Yamaha RBX 260, lightly compressed (3:1 ratio). Effects: Subtle 360-millisecond stereo delay on lead track. EQ: +5dB 80Hz low shelving on rhythm BRITISH Hear the Sample  MP3 format – 243k Guitar used: Yamaha Pacifica 120 on bridge pickup (humbucking) for rhythm and first half   of lead, and neck pickup (humbucking) for second half of lead. Bass: Yamaha RBX 260, lightly compressed (3:1 ratio). EQ: -3 dB 12kHz shelving on both lead and rhythm, +3dB 80Hz low shelving on rhythm. Effects: Subtle 250-millisecond stereo delay both rhythm and lead tracks. TWEED Hear the Sample  MP3 format – 243k Guitar used: Yamaha Pacifica 112, on  middle/neck (out of phase) position (single coil). Bass: Yamaha RBX 260, lightly compressed (3:1 ratio). EQ: +3dB 12kHz shelving on rhythm. Effects: Slight chorus and compression on rhythm, and 100-millisecond stereo delay on lead..

Credits:

All tracks written, performed and/or programmed by 
Frederic St-Gelais at “La Chambre” Studio, Montreal, Canada
using the following equipment:

Tech 21 SansAmp GT2 preamp
Mackie CR1604VLZ console
Alesis ADAT XT recorder
3630 compressor
Microverb and Midiverb III effects processors
D4 drum module
Ensoniq ASR-10 sampler (used as a MIDI  controller)
BOSS DD-5 digital delay and CE-2 chorus FX pedals
Tascam DA-30 DAT recorder
Pentium 200mmx running sequencer, audio editor and mp3 encoder programs
Yamaha Pacifica 120 and 112 guitars*
Yamaha RBX 260 bass.